[How to] Watch 3D movies on your non-3D laptop/desktop/TV screen

NOTE: This article is totally original, like all the others on this blog. Please do not copy or rip it off (which unfortunately many technology writers have a knack of doing). As of 12th October, 2012, there is no tutorial/guide on how to watch 3D movies on a non-3D screen - so I decided to write a comprehensive guide.
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NOTE 2: Followed this tutorial successfully? To see some assorted images with excellent 3D effect, go to the following posts:
Set 1: http://absoluteverdict.blogspot.com/2014/01/10-amazing-anaglyph-3d-images-set-1.html
Set  2: http://absoluteverdict.blogspot.com/2014/01/8-awesome-anaglyph-3d-images-set-2.html

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WATCHING 3D MOVIES ON YOUR NON-3D LAPTOP/DESKTOP/TV SCREEN VIA ANAGLYPH METHOD - WITHOUT MESSING UP THE COLOURS!

    If you're into movies and technology, you might have wished to be able to view 3D movies on your ordinary laptop/desktop/TV display - but upon searching, you found that you can't do that without a specialized (and very expensive) 3D-compatible display, right? If the answer is yes, then you might be glad to discover that you can actually do that. :)

But HOW - without a 3D-compatible display? The answer is simple - there are several methods to view 3D, and we'll follow one that doesn't need a specialized display. :) The 3D method in fashion on current 3D compatible screens is stereoscopic 3D. But we shall follow the ANAGLYPH method - because as mentioned, you'll not need a 3D compatible display for that.

If you have some insight, you will ask a couple of questions at this stage, like:
 
i. Isn't Anaglyph supposed to totally spoil the colours of the movie? 
         Technically, yes; which is why this method became obsolete in the first place - BUT I discovered a simple workaround to this, (which I shall mention in the end); and if you follow it, you can bring the colours to a near-perfect representation :) So, if you follow the method in this guide, the colours of the movie will not be spoiled :)

ii. But can we watch standard 3D movies (in side-by-side format) as Anaglyphs without conversion?
         Yes you can - but not on standard players like VLC or Windows Media yet, you'll need to download a player like KM Player (my recommendation), Stereoscopic Player or any other player with a similar feature (e.g. Cyberlink PowerDVD). Don't worry though, it's easy!

iii. Doesn't Anaglyph 3D produce a poor effect compared to newer versions?
         Newer methods use a specialized screen and powered glasses to project separate images from screen layers into each eye. This gives the effect of having a binocular vision in the screen, just like you see real objects.
         In Anaglyph, two colours at the opposite end of the spectrum are used at each eye. One colour wipes the other out and stops it from being perceived. As two separate images are then seen by the eyes on the screen, those images give a similar and hence equal 3D effect as the newer method. You just need to set the colours right!
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The Steps:

Okay, so you've decided to try this out. Here's what to do!

1. Getting/designing your pair of Anaglyph 3D glasses!

         Anaglyph glasses have different colours for each eye. Although several combinations are available, we'll stick to the traditional type, i.e. Red for the Left Eye, Blue for the Right.

         If you can find it at your local glasses' shop, that'll be great! With some old magazines, they used to give a pair of anaglyph glasses on a card frame. See if you got one. I got one when I was a child with some Jurassic Park book - lost it because it wasn't much use back then. Did give me the idea though.

         If you can NOT find it at the glasses' shop, no worries - for you can always tell the shopkeeper to make a customized one for you (like I did). Ask him to show you red and blue variants of sunglasses and choose a a nice red and blue shade. I'll drop some important tips below.

    i. Choose a lighter shade of blue. i.e. the blue colour should be more of a blend with a Cyan shade.
    ii. Red should be deep and should necessarily be red - not brown/orange. 
    iii. Darkness level of both sides should not be mismatched. Both should allow relatively equal amount of light.

My anaglyph 3D glasses.

          Some people might tell you to use coloured markers over transparency slides to make these glasses.  Please don't do that or you'll break my heart. This method really sucks! (but yes, you're guessing right; I tried this first :P  )

2. Getting a 3D movie
          Choose a movie of your choice and download it. The only tip I'm giving here is to check if the movie name carries a 1080p - 3D tag in the name. Imagine the pain of downloading a movie and finding it wasn't 3D at all ;) Open up the file you downloaded in VLC/Windows Media Player. If it shows two separate sections showing a nearly identical video, then you're on the right track. It should look something like this:

(Click to enlarge - side by side 3D shows up like this in ordinary media players)

         I highly recommend using "IMAX Under the Sea 3D" when you're trying this. This one has a really cool 3D depth effect which you might not find in many other movies.

3. Getting a 3D Player

         Ordinary media players do not play 3D movies as they should be played for being viewed. They will show up something like the screenshot in the previous step.

         You'll need to download a player that can run these side-by-side 3D files as Anaglyph. 

EDIT (27/12/12): I now recommend you to use KM Player for playing 3D movies. Load your side by side movie in it and press the 3D button at the bottom left. Originally, I recommended Stereoscopic Player in this tutorial but now KM is the better option!

4. Open up the 3D file in the player 

We're almost there!

         Open up the 3D movie in KM Player or Stereoscopic Player. 

In KM Player, you will need to use the 3D button at the bottom left. Right click on the player window and choose Red/Green Color or Red/Green Dubious.

For Stereoscopic player, you'll see a box asking how you'd like it to play. Choose Side-by-Side; Right Image first. 

         For best results, click View, scroll to Viewing method > Anaglyph and choose Half-colour anaglyph Red-Cyan.

I recommend half-colour anaglyph for best results.

In case the video seems stretched, simply click view, scroll to aspect ratio and change it to half-width or half-height.

That's it! :) You can now watch the video in 3D wearing your glasses. Without the glasses, your video should look something like this:

5. Setting up your display to minimize colour changes while watching the movie

         Anaglyph glasses spoil the colours, no denying that. However, I discovered you can easily tweak your display and minimize/eliminate this problem :) Most computers have an Intel processor have the Intel Graphics Panel that you can use for this purpose. (Making up a 3D profile for these settings in the Graphics Panel will save you from the trouble of setting these values again every time)

1. For Intel users, Right-click desktop > Graphics Properties > Colour Enhancement.  (Others have their own graphics panels in which the settings below can be similarly used)
2. With "All Colours"option selected, take the saturation to around 20. 
3. Take contrast to 52.



All colours = 20, Contrast = 52

4. Now choose "Blue" in the colour option and take the saturation for this colour all the way back to zero. (Depending on your display colour tone, you might wanna set blue according to your need. i.e. cooler/bluish colour tone means you may take blue to a couple of points more negative.)

Blue = Back to zero - other colours stay put.

With these values selected, coupled with the "Half-colour anaglyph Red-Cyan" in the above step; the colours will be just fine! :)

Some more pointers:

• If you're wear glasses for distant vision, keep them on as well over the 3D glasses. You'll need them for optimal results and focus.
• To view 3D on your TV, output the video via laptop with the above parameters set. Alternatively you can convert a side-by-side 3D movie to Anaglyph using Xilisoft Video Converter and play it on your TV.
•  You can convert a non-3D movie to 3D via Xilisoft video converter but the effects may not be very pleasing in this case. In this case, choose a high 3D depth, left side of the side-by-side video for right eye and right side for the left eye.

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That's it! :)
Have fun watching 3D and thumbs up and share if you liked the guide.

Regards.
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 EDIT - 03/01/2014:

3D Test

If you followed the tutorial above and want to try out your glasses, take a look at the following picture. If you see a clear image and feel a perception of depth, you did it right :) 

Wanna try out some more awesome 3D images with your 3D glasses?

Follow the link below to check out the following assorted picture sets! :)  

Set 1: http://absoluteverdict.blogspot.com/2014/01/10-amazing-anaglyph-3d-images-set-1.html
Set  2: http://absoluteverdict.blogspot.com/2014/01/8-awesome-anaglyph-3d-images-set-2.html

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DECISIVELY Debunking Moon Landing Conspiracy Theories: In memory of Neil Armstrong

Left-to-right: Neil Armstrong, Michael Collins, and Buzz Aldrin - the crew of Apollo 11.

Introduction: 25th August, 2012 marked the death of Neil Armstrong, the first man to ever set foot on the moon back in 1969. This man, along with his "Apollo 11" crew-members, Buzz Aldrin and Michael Collins, is among the true heroes of the scientific era.

            However, owing to the work of several notable conspiracy theorists, there exists a huge mob of people that believes that none of the moon landings the Apollo missions were real. To uphold their claims, they present a variety of arguments, ranging in quality from utter dumb to moderately technical - however all of these arguments can be proved false with a little logic and scientific knowledge. The theories are based on insufficient knowledge.

            Since I have always been an astronomy freak and can't see one great hero presented in such bad light, I decided to write a huge article debunking all the major theories in one place - a service rendered in the honour of Neil Armstrong.

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How the conspiracy theories started:

            On February 15, 2001 the FOX television aired a program titled "Conspiracy Theory: Did We Land On The Moon?". The program featured "evidence" that proved NASA's Apollo missions were faked. (i.e. they were shot in a studio on Earth, supposedly by the director of film The Space Odyssey)

            Although the conspiracy theories had been around for decades, starting in 1974 with Bill Kaysing's book "We Never Went to the Moon", reinforced by the works of the award-winning photographer David Percy (author of Dark Moon: Apollo and the Whistle-Blowers) and Ralph Rene (author of " NASA Mooned America!")  but the airing of this program was the time when most people started believing in them. 

  

But why do moon landing conspiracy-theories exist in the first place? Are the theorists credible?

             If I were to give an opinion on why such theories exist - assuming the theorists had no negative motives - I would simply suggest that these theories arose out of lack of scientific knowledge. Most of the notable theory advocates  were people not trained in science (e.g. Bill Kaysing held an arts degree; David Percy was a photographer; Ralph Rene was self-taught publisher with no formal degree) These people made conclusions based on analysis of Apollo photographs and footage, with little or none attention towards the complex physical SCIENCE involved in the moon's environment. People who have knowledge of science can better judge the physics involved in the moon missions instead of people who have insufficient or no knowledge of physics.

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DEBUNKING THE SPACE "ODDITIES" PRESENTED BY THE CONSPIRACY THEORISTS:

            We shall now examine the many claims made by various conspiracy theorists and debunk them with LOGICAL and SCIENTIFIC facts. We shall start off with points raised by the leading advocates and move on to the other ones when they're done.

1. The PHOTOS shows wind blowing the U.S. flag on the moon, although the moon has no atmosphere and the flag should not blow on the moon (Ralph Rene)

Reply: This is perhaps the most commonly repeated point from the theorists. It is quite absurd to make a decision on MOVEMENT in a STILL photograph. Obviously, the people seem to be perceiving the wrinkles on the flag as signs of motion - and I would recommend them to watch all the video footage and note that the flag is actually motionless.

If you search for Lunar Flag Assembly, you will note that the flag was fastened to a Г-shaped rod so that it did not hang down (see photo on the left).

Now for some proof, see the photos below, the two photos are two successive photographs showing Buzz Aldrin saluting the US flag. The flag is motionless although the wrinkles on the flag appear to be indicative of motion.

These two photographs had a time difference of several seconds

Animation of the two photos, showing that though the camera moved between the photographs, the flag is motionless.

 (Also see the video footage in point no. 10, it clearly shows a motionless flag)

2. There is also a VIDEO footage of the astronauts that shows that the flag was moving (Raplh Rene)

 Reply: The video Raplh mentioned is the one in which Armstrong and Buzz Aldrin are trying to hoist the US flag into the moon soil. Take a look at the video below, keeping in mind the structure of the flag post that I mentioned above.

 

            As you can see, the flag is not moving of it's own accord. It's moving because the astronauts are twisting the flagpole, trying to hoist it into the ground. The movement of the flag is unlike anything you would see on earth. In the absence of air, there is no damping effect on the flag and it keeps fluttering due to inertia. On earth, the movements of the flag would quickly be damped.

NOTE: This was also EXPERIMENTALLY verified by MythBusters in Episode 104 of their TV series using this method: "The Build Team placed a replica of the American flag planted on the Moon into the vacuum chamber. They manipulated the flag in a manner similar to what the astronauts did when they planted the flag on the Moon, then stopped the manipulation. They first tested at normal pressure; the momentum moved the flag around somewhat but quickly dissipated. In pure vacuum conditions, after the manipulation stopped, the momentum caused the flag to flap wildly as if it were being blown by a breeze. This is because there was no resistance from air to dampen the motion. This proved that in a vacuum, a flag does not need wind to flap for a while after a person sets it in motion."

 3. Without an atmospheric cloud cover, there should have been a sky full of stars but Apollo photographs do not show a starry sky (Bill Kaysing, Ralph Rene). NASA could not hope to recreate the lunar sky, so they may have opted for simple black backdrops.

 Reply: Faking a starry sky is too easy a task for any studio. The fact that there are no stars actually proves the authenticity of the photographs.

Capturing stars requires slow shutter speeds of >30s for good exposure and can not be captured at fast shutter speeds.

            Those who are familiar with photography might know that capturing stars requires the camera to be set at SLOW SHUTTER SPEED to maximize exposure. For properly capturing a starry sky on earth, an average of 30 seconds time should be set.

              The white surface of the moon was strongly reflecting the sunlight. In such strongly lit situations, a FAST SHUTTER SPEED ranging around 1/500 seconds may be required to prevent overexposure. Apollo photographs were taken at fast shutter speeds. However, at this configuration, stars can definitely not be captured.

This is an example of a space photograph in which no stars are seen; the photograph was captured at fast shutter speed to minimize overexposure resulting from the Earth's glare due to sunlight.

4. The film used by astronauts on the moon should have melted due to the supposed high levels of radiation and temperature above 250 ° F (Bill Kaysing)

Reply: There are several points to be noted here.

• A special transparency film produced by Eastman Kodak under a NASA contract was used by the Apollo astronauts. The photosensitive emulsions layers were placed on an ESTAR polyester film base. The melting point of ESTAR is 490° F, although some shrinkage and distortion can occur at around 200° F.
• The films were protected in special camera casings to keep them cool and were never exposed to high temperatures.
• The moon has no air, hence, without convection or conduction, the only method of heat transfer on moon was radiation. Radiative heat can be effectively directed away from an object by wrapping it in a material with a reflective surface, usually simply a white material. The camera casings, as well as the astronauts' cooling system-equipped clothing, were indeed white.

 5. Only two men walked on the Moon in every Apollo mission. Yet the astronaut reflected in the visor is not holding a camera. Who took the shot?

Apollo 12 Astronaut: Bean's camera is attached to his suit.

Reply: Astronauts were not "holding" their cameras like we do. The cameras were attached to the chest of the space-suit they were wearing, leaving their hands free for other operations unless they wanted to click. 

            Here is a close-up photo that shows the camera to be attached to the suit. 

6. Shadows cast on the moon's surface should be parallel (and equal) as there is only one light source - the sun. Yet in some photographs, the shadows cast by the astronauts are not parallel. 

 Reply: This is explained on the basis of perspective of the camera and the angle of photography. In addition, the surrounding hills and slopes should also be taken into account as they alter the direction of light. One such example was experimentally demonstrated by MythBusters (read caption for details)

In this Apollo 14 photograph, the shadows of the rocks and the lunar lander are not parallel. "The MythBusters built a small scale replica of the lunar landing site with a flat surface and a single distant spotlight to represent the Sun. They took a photo and all the shadows in the photo were parallel, as the myth proposed. They then adjusted the topography of the model surface to include a slight hill around the location of the near rocks so the shadows fell on a slope instead of a flat surface. The resulting photograph had the same shadow directions as the original NASA photograph from Apollo 14."

            As far as perspective and angle of photography is concerned, shadows that are parallel in real life may appear different in a photograph. The image below illustrates this concept.

This photograph shows the "perspective" concept. The shadows are infact parallel in real-life but in a 2D angular photograph, may give a false impression of not being parallel.

7. The shaded side of objects should be dark and in sharp contrast, but they are not, indicating a three point lighting in a studio (Ralph Rene)

Buzz Aldrin is clear - despite being in shadow

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8. Many Apollo photographs show lighting "hot spots", as well as a darkening of the surface toward the horizon. Sunlight should not produce hot spots, nor should the surface fade in an airless environment. Seemingly, a spotlight was used.

Reply: The soil of the moon has a strong tendency to reflect sunlight. The (main) reason is that there are tiny glass spheres present in the soil that were formed in meteorite impacts. As a result of strong reflection from the soil, even the shaded sides of objects are not dark. 

            (The moon surface reflects 10% of the total light it receives. When the sun is directly overhead, the maximum illumination can be up to 10,000 lumens. However, in the Apollo missions, the sun was diagonal, and the luminosity was hence decreased to 3400 lumens. Now, when 10% of it will be reflected, the moon surface will seem to be lit up with 340 lumens power - the power roughly equal to a 35 watt light bulb.) 

             The "hot spots" also result from similar phenomenon. Contrast enhancement from NASA in some shots also created more of this effect. As for fading of the surface, the surface fades drastically toward the horizon. It is brightest near the foreground due to sunlight being preferentially reflected back toward the camera. Farther away, the sunlight is preferentially reflected away from the camera, making the ground look dark. The technical term for this phenomenon is Heiligenschein, and is the result of light refraction, reflection, and diffraction on the surface of and inside the glass spheres of the lunar soil. (This phenomenon can also be seen on wet grass where water droplets act like small glass spheres).

 

9. During the videos of the lunar landings the astronauts replied instantly to Mission Control in Houston.  Yet light, radio waves, and all energies of the electromagnetic spectrum travel at roughly 186,000 miles per second, meaning the response time of the astronauts to comments made by Mission Control should have been a little over two seconds since the moon is over 200,000 miles from the Earth.

Reply: This is actually a pretty great point put forward by one theorist online; however it clearly shows lack of information.

 

            NASA hadn't established a direct link with the television channels. The live pictures transmitted from the Moon were displayed on a 10-inch black-and-white monitor and a vidicon camera was pointed at the screen, the output of which was given to the channels. 

            Television channels actually showed us the live footage from the ASTRONAUT's side. i.e. the voices of the mission control that we heard in the footage were coming to us from the moon, and not directly from mission control. The conversation between the mission control and the astronauts as seen in the footage was hence, without any time delays.

10. There is one photograph of an astronaut standing on the surface of the Moon in direct sunlight, yet he casts no shadow

Theorists mention the absence of a shadow in this photograph.

Reply:  The photograph the theorists refer to is shown. If you see carefully, you will note that there is a shadow below him and to his right. 

            The shadow is not attached to his body as the astronaut John Young was jumping. A video of that scene is shown below. It is odd that the theorists do not have information about such a popular scene.

(P.S. Don't mind the music in the video: Just watch it as I couldn't find any better version :P And do observe the motionless flag)

 

11.  In an Apollo 11 photograph of Buzz Aldrin the horizon is located at eye level; however, if the camera was mounted to Neil Armstrong's chest, the horizon should be at chest level.

Note the level of the horizon in this shot.

Reply: The theorists refer to the image shown and argue that the horizon should be at chest level if the camera that took this shot was at chest level. 

            However they assume that Buzz and Armstrong were standing at the same level. If Armstrong's reflection in Buzz's visor is enlarged, Armstrong will be seen to have the horizon at his chest level - indicating that he actually was standing at a higher level than Buzz when the photo was taken. Armstrong's chest, and hence the camera, was at Buzz's eye level, which is why the horizon is seen at Buzz's eye level.

Enlargement of Armstrong's image in Buzz's visor, indicating that Armstrong was indeed standing at a higher level than Buzz.

12. The sound of the Lunar Module descent engine should be heard in the Apollo audio transmission, but there is no sound heard, not even at touchdown.  

Reply: This one is pretty easy. sound transmission requires a medium. On earth, the engines would surely make alot of noise but in the vacuum atmosphere of the moon, with no air to act as a medium, sound should not be heard.

13. A clear footprint cannot be made in vacuum because there is no moisture to hold its shape.

Reply: This point was also experimentally disproved by the MythBusters.

Our planet's soil is weathered and rounded, so the particles do not support each other's weight very well unless some moisture is present. Lunar soil, because it is not weathered, has a more jagged texture, so the particles "lock" with each other and will hold the shape of the imprint much more clearly.

14.  One photo from Apollo 11 is looking up at Neil Armstrong about to take his first step on moon. If Armstrong was the first man on the Moon, then who took the shot? (Ralph Rene)

Reply: This is among the most  non-objective points. Surprisingly however, it came not from a curious child pondering over the moon landings but from Ralph Rene himself.

            If I plan a trip with a big moment, obviously I will be fully equipped to capture that big moment in the perfect way. NASA, similarly, had a plan for it's big moment.

            While still on the steps, Neil Armstrong deployed the Modularized Equipment Stowage Assembly from the side of the Lunar Module, which happened to contain the TV camera. That camera took the photograph under question.

15. The space suits were too heavy and too pressurized for the astronauts to comfortably perform all the tasks that they did. The gloves on the Apollo space suits would also have expanded in the vacuum of space to the point where they would be immobile. (Ralph Rene)

Reply: The space suit although made of hard materials has jointed sections to allow a good range of movements.The upper and lower torso sections are put on separately and the two pieces are connected at the waist to allow the flow of water and gas-lines. Gloves and helmet create a sealed protection against meteoroids and radiation. The material they are made of does not expand in vacuum, it's made for vacuum and low-pressure environments.

            As far as weight is concerned, the suits are really heavy for Earth but in space (gravitation-free environment) and Moon (low-gravity environment), weight of the suit is none, and negligible, respectively.

16. The Lunar Lander weighed 17 tons and the powerful booster rocket (of 10,000 lbs thrust) at the base of the Lunar Lander was fired to slow descent to the moons service. Yet it has left no traces of blasting on the dust underneath. It should have created a small crater, yet the booster looks like it's never been fired.

Reply: The Lunar Lander certainly had a huge mass but with the moon's low gravity - a 6th of Earth's gravity, the 17 ton would actually have weighed 17/6 = 2.8 tons.  That certainly isn't enough to leave a crater at the landing site; aided by the fact that the lunar soil particles "lock" with each other (as mentioned in point 10 above).

Moreover:

• The Lunar Module was throttled down to mere 3000 lbs when landing, and turned off before actual touch down. 
• The Lunar Module descended at an angle, moving laterally across the ground. When the astronauts identified a suitable landing site, the LM leveled off and dropped to the surface. The LM did not hover over its final landing site for any significant length of time.
•  In a vacuum exhaust gases expand rapidly once exiting the engine nozzle. They should not create a "pressure effect".

17. A large amount of dust was generated during the landings, yet no dust can be seen on the Lunar Module footpads or anywhere.

Reply: This is because in the absence of atmosphere, the dust particles generated in landing simply followed a ballistic motion when they were blown away. On moon, we can not get those "billowing dust clouds" like Earth since there is no air to suspend the clouds.

18. The TV footage was hopeless. Part of the reason for the low quality was that, strangely, NASA provided no  direct link up. So networks actually had to film all the footage from a TV screen in Houston - a deliberate ploy, so that nobody could properly examine it. (Ralph Rene)

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 19. By contrast, the still photos were stunning. Yet that's just the problem. The astronauts took thousands of pictures, each one perfectly exposed and sharply focused. Not one was badly composed or even blurred. (Ralph Rene)

 Reply: The transmission of videos from Lunar Module wasn't done a high-speed internet connection: It used the Lunar Module's radio antenna and power supply, and was hence limited to a low bandwidth.

             Apollo 11 could therefore use a black-and-white, slow-scan TV camera with a scan rate of 10 fps (frames-per-second) at a low resolution of 320x240.

             In order to broadcast the images to the world, the pictures had to first be converted to the commercial TV standards. In the US, this was the EIA standard of 30 fps at 525x394 resolution. This is why the networks had to shoot the footage from NASA's screen in Houston, and not directly.

A highly underexposed photograph from Apollo.

 As for the photos, the theorists should note that not all shots were perfect; but then, why should NASA actually publish unfocused or improperly exposed photographs? The photos publicly released were the best photos among the roughly 5300+ photographs from all Apollo missions. The picture shown at the side is an example of an underexposed photo.

20. Some Apollo photographs show mysterious lights in the shadowy background that appear to be studio spotlights.

Lens flare in this photo is mistaken for studio spotlight.

Reply:  Some theorists present photographs like the one on the left and claim that the "lights" seen in the background are studio lights.

However these "lights" are actually lens flare and are often seen on earth as well when the image of sun is reflected back and forth inside the camera lens.


Another close-up image shown below shows the same lights; and from that photo one can clearly infer that the lights are lens flares afterall.

These lights are clearly lens flares.

 21. Apollo 16 photographs show a rock with a clearly defined "C" marking on it. This "C" is probably a studio prop identification marking.

 This notorious C rock is shown in the figure. Theorists claim it to be the markings of a studio prop.

This was uncovered to be just a hair fibre that got scanned on the film. The images were widely distributed in this form. The original photos do not have this C.

A magnification of this "C" shows a secondary mark that appears to be a shadow is clearly visible under the top portion of the mark, which supports the fact that the "C" was a hair fibre on film.

Note the secondary mark - a shadow.

 22. The Apollo crews were launched into space but never left Earth orbit.

Reply: This is a very lame argument. An ordinary orbiting satellite, even one that isn't as large and as white as Apollo, is clearly visible from earth. People even track them as hobbies. It is known that Soviets also tracked Apollo all the way from the moon to the earth.

23. To reach the Moon astronauts would have to travel through the Van Allen Radiation Belts, resulting in lethal doses of radiation.

Reply: This is often stated by the theorists. NASA was well aware of the Van Allen Radiation belt and  upon research, found that there was no danger. The total radiation dose that the astronauts encountered was 1 REM, an amount that is easily tolerated by the body. Toxic levels of radiation begin over 150-200 REM with 300+ accounting for lethal doses.

 

24. There are many pictures of spacesuited astronauts inside buildings with artificial moonscapes, presumably the studio where the moon landings were faked. 

Jim Lovell training for Apollo 13.

Reply: These photos are from various training/practice scenarios that all astronauts were subjected to before being sent to moon. NASA never claimed that those photos were from moon, nor ever made any attempt to hide them. They are publicly available.

25. The film of the astronauts moonwalking is actually film of the astronauts skipping in front of a high frame-rate camera, slowing down the picture and giving the illusion they are on the Moon. If the video footage of the Apollo astronauts is played at double normal speed, their motion appears quite normal, thus the images were faked by playing normal motion at half speed.

Reply: The MythBusters tried this experimentally: "Adam donned a replica NASA space suit and mimicked the astronauts' motions while being filmed by a slow motion camera. They also attached Adam to wires in order to mimic the Moon's lower gravity. While comparing the new and original footage, the MythBusters noted that at first glance, they looked similar, but there were many small discrepancies due to filming in Earth's gravity. In order to film in microgravity, the MythBusters boarded a Reduced Gravity Aircraft run by Zero Gravity Corporation and filmed exactly the same movements. Adam noted that the movements were more comfortable and made more sense in microgravity, and the footage from the plane looked exactly like the original film. The MythBusters concluded that the Moon landing film is authentic"

            Besides, there is a scientific explanation: An object in free flight will follow a ballistic trajectory in accordance with Newton's laws of motion. Moon's gravity is one-sixth that of earth. If the ballistic flight of an object on the Moon is sped up by a factor of 2.46 it will mimic exactly ballistic motion on Earth. 

            Apparently, when using a slow motion camera, the ballistics will resemble, but the arm movements will seem unnaturally fast - and oddities will appear.

Some points that the theorists can not falsify:

1. There are many moon rocks brought back by the Apollo missions. 382 kilograms (840 lb) of Moon rocks were collected during the six manned missions. These have characteristics that are not found in Earth or artificial rocks, such as evidence of meteoroid bombardment and exposure to cosmic rays. Likewise, Earth rocks have unique characteristics not found in the moon rocks, such as weathering and exposure to water. Finally, the moon rocks returned by Apollo have been determined to be between 3.1 and 4.4 billion years old, older than any rocks on earth.

Genesis rock brought back by Apollo 13 is older than any Earth rocks.

 2. Apollos 11, 14 and 15 erected laser reflectors on the lunar surface. Laser beams are routinely fired at these reflectors through telescopes at McDonald Observatory in Texas and near Grasse in southern France and these laser beams are actually reflected back from the moon. Timings of these reflected beams are used to measure the Earth-Moon distance to an accuracy of one inch. Do the theorists have any answer to this?

3. In 2009, the Lunar Reconnaissance Orbiter spacecraft, which was in a low polar orbit over the Moon, returned a series of images of Apollo landing sites showing the vessels themselves at rest on the Moon’s surface. A direct visual confirmation is a sure sign that the moon landings were real.

This is LROC's first picture of Apollo 11 after LRO dropped into its 50 km mapping orbit. At this altitude, very small details of Tranquility Base can be discerned. The footpads of the LM are clearly discernible. Components of the Early Apollo Science Experiments Package (EASEP) are easily seen, as well. Boulders from West Crater lying on the surface to the east stand out, and the many small craters that cover the moon are visible to the southeast.

Apollo 17 landing site photographed by the LRO mission

4. Last but not the least, a few logical points: More than half a million people were working on the Apollo program. To plan a conspiracy on this scale would have been as difficult as making real landings. It's just not feasible. Yet, after all this time, not a single inside man has slipped anything. Those who are naturally dead did not make any deathbed confessions or leave behind any secret incriminating documents or photos. None of the Apollo workers ever showed any evidence of "reward". They all had quiet lives in retirement with no luxurious mansions  or anything. No disgruntled employee fired from the Apollo program made any dark revelations. Everything is so normal and nothing seems fishy.


THE ABSOLUTE VERDICT:

             The above discussion makes it clear that all the objections raised by the conspiracy theorists were invalid – MAN REALLY WENT TO THE MOON – SEVERAL TIMES. It was indeed a great achievement for mankind and should be remembered as such.

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